The Grand Tour

This 853-Square-Foot Austin Bungalow Has Colorful Millwork in Every Room

 The coral-colored arched bookshelf positively glows
Panels woven with faux greenery attached to the chain link fence in the front and side yards provide privacy and a lush...
Panels woven with faux greenery attached to the chain link fence in the front and side yards provide privacy and a lush look, maintenance-free. “The patio feels less exposed now,” the designer says. “Jacqueline unwinds there at the end of the day and watches the sunset.”

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After spending a long 2020 in New York, Emily Kerans, founder of Emily K Interiors, craved change. So the designer and her bulldog drove southwest to Austin. Within a month, Emily’s mom, who was back in Connecticut, connected Emily to her first local client and soon-to-be friend Jacqueline Sigler.

A New York transplant herself, Jacqueline had just purchased an 853-square-foot bungalow in Austin’s up-and-coming east side. The pair immediately hit it off. “She had so much faith in me to understand her vision,” Emily says. “She went with any wild card I presented to her.” Jacqueline wanted her new home to reflect the other places she’s lived—London, New York, Connecticut—without going overboard. “Her taste is fairly minimal, so everything we chose is functional and intentional,” Emily says.

Decorative objects in the living room include DIY framed intaglios, a classical bust from Etsy, deer horns from the Round Top Antiques Fair, and plenty of greenery. The brass coffee table and chest came from Revival Vintage in Austin.

Emily replaced the door to the office with a sliding barn door to save space in the room. A low-profile daybed from CB2 allows the office to also function as a guest bedroom. A CB2 console with a mirror and a pair of vintage lamps from Uncommon Objects in Austin is a useful decorative vignette in the entry. Emily made the animal print pillow atop the footstool that she upholstered with leftover fabric from the banquette, and the Oushak prayer rug from Apartment F in East Austin ties together all the colors happening in the house.

Noting that Jacqueline’s inspiration images revealed a penchant for powder blue cabinetry, Emily kicked off her design scheme by adding living room built-ins painted in Benjamin Moore’s Normandy. “This is the home’s blue moment,” Emily says. “We had to have this color somewhere!” The glossy millwork stretches floor-to-ceiling across an entire wall, providing storage and a backdrop for the television. Today, the room feels cozy and organized while the color and decorative tidbits, such as a piece of driftwood, allude to Jacqueline’s East Coast roots.

Emily added pattern to the hood using tile she spotted while sourcing the bar’s stone slab. The Moroccan runner is from the local boutique Apartment F.

A dark green pendant from Rejuvenation and a smattering of houseplants bring the outdoors in and tie to the new dry bar. “Everything nods to the next but still feels different,” Emily says. The velvet cushion fabric from Claremont, a London-based textile and furnishings company, is another UK connection.

Although Jacqueline hadn’t initially planned on touching the kitchen, which already boasted homey wooden countertops and a playful penny tile backsplash, the room’s navy blue cabinetry competed with the new powder blue unit in the adjacent room. “We really wanted each room to have its own identity,” Emily says. The solution? To paint the kitchen cabinets and island in Sherwin-Williams’s Tricorn Black and swap the modern handles for antique brass knobs. “The knobs’ vintage feel ties into the existing pot rails and nods to London style,” the designer points out. Plus she adores the high contrast pairing of the glossy black millwork and matte maple butcher block countertops.

The custom dry bar across from banquette occupies a niche that used to be the bedroom closet. “Jacqueline wanted a wine bar and was already planning to move the bedroom closet to another wall, so we took advantage of this opportunity,” Emily says. The millwork, painted in Benjamin Moore’s Cedar Path in a high gloss finish pulls in the greenery from outdoors. Brass mesh screens infuse warmth and show off the barware with no worry of fingerprints, and the granite’s gold, green, and rust veining complements the ensemble.

In the corner by the front window, Emily created an airy, multifunctional dining area. She detailed the base with horizontal boards that play off the wall’s vertical nickel groove paneling, then topped it with a luscious mustard-colored velvet cushion. “Local upholsterers had a 16-week lead time, so I put my sewing skills to the test making two long bench cushions with brass zippers on the backs,” she says. “The cushions pull warm golden tones into the corner.”

The office is warm, inviting, and doesn’t take itself so seriously. “Jacqueline wanted the room to have a color story completely of its own,” Emily says. “We hung swatches and observed them at different times of day and weather conditions.” The team built out the wall in the office to create a bookcase with an arched top that counterbalances the paneled grid.

Jacqueline eats, reads, and sometimes works tucked into the bright and cozy corner. Mostly, though, she works at the desk in the second bedroom-turned-home office. It was her idea to apply paneling painted in a coral color reminiscent of Palm Beach to the wall behind her desk. “She wanted a killer Zoom background,” Emily says. Benjamin Moore’s Pink Polka Dot, a snappy hue with warm orange undertones, reads just this side of girly. “It makes the white walls glow, especially at sunset,” Emily says.

The vintage lamps from Austin Home Consignment were Emily’s very first purchase for the home.

When it came to the bedroom, Jacqueline requested serenity. “Everything is a different shade of beige,” Emily says. Textural fabrics counter the lacquered Anthropologie nightstands and vintage Lucite lamps draped with melted brass. Emily, who loves to layer, couldn’t resist dressing up the glam pieces with pleated pink lampshades once Jacqueline acquiesced. “She said I could show her one pop!” the designer says.

The result is an efficient, personal home that can still evolve with Jacqueline over time. “I like to create a blueprint using existing pieces as placeholders so a client can layer in meaningful pieces over time,” Emily explains.

The bath was already renovated, but Emily painted the baseboards and door in the same high gloss black paint used in the kitchen. “The brass hook on the back of the door really pops now,” the designer says. She also added the brass sconce and artwork from a local boutique.